ISSN 2041-6695

Volume 2, issue 6 contents

Art and Perception (Special issue)

Measuring pictorial balance perception at first glance using Japanese calligraphy 508 –527
Sharon Gershoni, Shaul Hochstein

Art and Perception (Special issue)

The effect of left-right reversal on film: Watching Kurosawa reversed 528 –540
Marco Bertamini, Carole Bode, Nicola Bruno

Art and Perception (Special issue)

Depth 541 –564
Jan Koenderink, Andrea J van Doorn, Johan Wagemans

Short and Sweet

Coronal streamers revealed during solar eclipses: Seeing is not believing, and pictures can lie 565 –568
Richard Woo

Art and Perception (Special issue)

Quicker, faster, darker: Changes in Hollywood film over 75 years 569 –576
James E Cutting, Kaitlin L Brunick, Jordan E DeLong, Catalina Iricinschi, Ayse Candan

Art and Perception (Special issue)

Layers of Looking 577 –591
Wendy Morris

New insights into ambient and focal visual fixations using an automatic classification algorithm 592 –610
Brice Follet, Olivier Le Meur, Thierry Baccino

Short and Sweet

Dichoptic completion, rather than binocular rivalry or binocular summation 611 –614
Li Zhaoping, Gao Meng

Art and Perception (Special issue)

Arnheim's Gestalt theory of visual balance: Examining the compositional structure of art photographs and abstract images 615 –647
I C McManus, Katharina Stöver, Do Kim

Art and Perception (Special issue)

Towards a new kind of experimental psycho-aesthetics? Reflections on the Parallellepipeda project 648 –678
Johan Wagemans






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